“As profound as it is funny, David Lee White’s PANTHER HOLLOW is an intimately personal tale that should be experienced by everybody. An account of the playwright/performer’s first salvos in his battle against clinical depression, the piece sheds light on a condition people still seem to think happens in a vacuum. Even Mr. White’s younger self wonders why he feels down in the dumps “for no reason.” But there is a reason. “You have an illness.” It’s a very thorough illness, too. At best, one becomes doubtful, anxious, and mopey. At worst, one finds oneself with a rope around one’s neck or staring down from a bridge into the abyss. Again, there is a reason: your brain is essentially trying to kill you.
“But this is no medical travelog. White takes us back in time to early 1990’s college life in Pittsburgh. You can practically see, feel and smell his old neighborhood as he describes the awkward, uncertain, hilarious, grisly, and emotionally (and physically) naked events on his quest to find health, happiness, and even love. We get a mind’s-eye view into his dreams, anxieties, and youthfully questionable decision making process. There are even a few moments where we the audience wince with regret at decisions he’s about to make 20 years ago. It’s these moments among others that imbue the darkness of the subject and story with much, much laughter.
“As a performer, Mr. White commands the stage with the same energy, wit, ease and charm that he had when he was actually in his early twenties. PANTHER HOLLOW feels like an entry in your best friend’s diary that you weren’t supposed to read, but now that you have, you need to share it with another friend whose life literally depends on hearing it. The lessons it teaches are crucial for anyone who has experienced or knows someone who has undergone this struggle. It’s also entertaining as all get out!” – Scott Sickles, Writers Guild Award winner and three-time Emmy Award nominee